Digital Painting By Craig Mullins | 9.57 GB
Digital Painting You will learn to properly distinguish and use color, value, and saturation, and much more. Craig will show you how he wields edges and simplifies forms to keep his work on track and readable. There will be demos throughout this class so you can watch how Craig executes the things he talks about. If you paint digitally, or you want to learn from a master how to level up your work, or heck, if you simply own a tablet and a stylus, you have to take this class!
In this lesson, we will look at two exact opposite approaches to starting a painting: first, we start with the extremes of value – black and white – and introducing half-tones. Both can be used for beginning a painting that you can take to finish. The clarity of the graphic approach will help prevent the subtle approach from being too formless and vague.
Lesson 3 – Basic Types of Lighting
This lesson looks at a rough progression of lighting through history, from the darker and more contrasting Renaissance through the 19th century, Impressionist lighting, to more recent developments of modern high dynamic range lighting. We will apply these lighting styles to photographic examples. Understanding these types of lighting can be of great help in making creative decisions about value. We need to have the skill to paint in any key and not just default to what is comfortable.
Lesson 7 – Loose Threads
In this lesson, we cover some things that don’t merit their own separate lessons.
Lesson 8 – Applying Principles of Digital Painting
Lesson 9 – Refinement and Advanced Techniques
Many lessons up to this point emphasize the importance of the beginning stages of a painting.
